All works Original Arrangements 4. A Berenice e Vologeso, K.
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Transcription for Violin solo and strings Addio Adelaide. Recitative and Aria, K. Offertory in C Major, K. Canon for Four Voices, K.
Antiphon, K. Aria for Soprano and Strings, K.
Tradito, schernito In uomini, in soldati Non siate ritrosi Overture Rivolgete a lui lo sguardo Smanie implacabili che m'agitate Soave Sia 'il Vento Una donna a quindici anni. Der Zauberer, K. Kantate, K. Chi mi dice mai quel barbaro dov'e? Fuggi Il Traditor! Schack, K. Graaf, K.
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Mine Or Mozart's? Geheime Liebe, K. A Thrilling Voice Is Sounding. Il padre adorato Ballet Music Chi mai del mio provo His forebears offer their advice but tell him he must make his own choice.
The six roles are all assigned to high voices three sopranos and three tenors , and Page has been fortunate to be able to call upon a talented young cast comprising Classical Opera Associate Artists soprano Soraya Mafi Fortuna and tenor Stuart Jackson Scipio , alongside four other gifted young singers - sopranos Klara Ek Costanza and Chiara Skerath Licenza and tenors Krystian Adam Publio and Robert Murray Emilio.
For, the bravura demands of the da capo arias are considerable and sustained. She evinces a core strength of sound, and considerable lung-power, to sail through the extended runs and emerge gleaming at the top. Klara Ek brings a thrilling brightness and muscular agility to the role of Costanza. That said, he does create a convincing three-dimensional character and in the more lyrical passages the vocal warmth and appeal is unwavering.
Symphony, K. 161 (Mozart)
And, the Chorus of Heroes would undoubtedly have given Scipio a shock upon his arrival in heaven! The Orchestra of Classical Opera plays stylishly for Page, and with plenty of character and spirit. The Overture skips fleetly along, punctuated by ceremonial punch from brightly ringing horns and trumpets. The string articulation is incisive and clean; the woodwind offer piquant hues and, in the slower triple-time section that concludes the overture, blend beguilingly - no wonder Scipio is lulled into comforting oblivion.
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The tutti s conjure excitement and drama, and Page makes effective use of the modulatory twists. In the ensuing arias, the ambitious young Mozart loads his instrumental parts with copious detail and Page - and the Signum engineers - makes sure that we hear them all, but also that busyness does not become weightiness. Page moves with fluency between the varied tempi and moods of the individual arias and the light touch continuo keeps the secco recitatives moving along.
This number finds Jackson at his best too: his tone is forthright, plosive consonants giving way to first gentility and assurance, and finally noble confidence. This is stirring musical theatre. The CD-booklet presents a complete libretto, with English translation.
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And, Page provides an engaging and informative account of the contextual background and the composition of the work, as well as drawing attention to striking features of the libretto and score. Schirmer , Peters , Mainz: Schott , n. Plate , Complete opera with 3 extra numbers arranged for string quartet. BSB notes give the date as This may be a confusion with the plate number.
Plate on violin 2, viola and cello parts refers to a simultaneously published arrangement for flute and strings. Update April 5, Duplicated viola part replaced with correct cello part. Richard Metzdorff Georg Kaspar Sartorius Braunschweig: Henry Litolff's Verlag , n.
Il sogno di Scipione, K (Mozart, Wolfgang Amadeus) - IMSLP: Free Sheet Music PDF Download
Franz Xaver Chwatal Peters , n. Plates A-B. Richard Kleinmichel Hugo Ulrich Leningrad: Muzyka , Ferdinand Beyer Mainz: B. Scanned at dpi grayscale, manipulated via contrast, converted to monochrome; no filter, not cleaned. Landscape fromat.
http://groupect.staging.ctrlweb.ca/31948.php PDF scanned by Russ.