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Engines of the imagination: renaissance culture and the rise of the machine

As it is, specialist readers are left to wonder why it is cited third-hand, while general readers are just left in the dark about the possible interpretive caveats. Ingrid D. Rowland, trans. David Sullivan Oakland, CA, Dorothy Waley Singer Cambridge, Mass. Sawday is at his best when he gives more extended discussions of single texts.

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Indeed, the most successful chapters of the book are the later ones primarily devoted to the seventeenth century, in which Sawday is clearly more knowledgeable and focuses more frequently on literary texts. A chapter on Milton discusses the anti-mechanical outlook of Paradise Lost, with reference to the opposing views of Descartes. It is evident that he knows these texts well and draws them into his discussion with great facility.

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It is written well and vividly and covers many important topics that are of great interest to historians of 9 See Susan C. Rosenband Ithaca, NY, , While it aims to be highly inter- disciplinary, it is far less successful as a work of scholarship that will satisfy historians, despite the citation of many scholarly sources, and therefore risks presenting an outdated historical account to read- ers in other disciplines.

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Engines of the Imagination: Renaissance Culture and the Rise of the Machine by Jonatha Sawday

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